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In the aftermath of World War II, Ichiro, a Japanese American, returns home to Seattle to make a new start after two years in an internment camp and two years in prison for refusing to be drafted
Leonard Woolf has long been revered as one of the great literary minds of the 20th century, but this superb collection of short stories dating back to his time as a colonial administrator in Ceylon has been almost completely forgotten. This slender volume represents the first time that “Stories of the East” has been available to the general reader. Originally published in 1921 by the Hogarth Press in an edition limited to 300 copies, these stories have hardly seen the light of day since. Sir Christopher Ondaatje, an expert on Leonard Woolf and author of “Woolf in Ceylon,” provides a specially commissioned introduction to this edition in which he argues the case for the enduring importance of these stories.
This book of short stories by Goh Poh Seng tells of his adventures as a young Asian student in the Ireland of the 1950s.
WITH AN INTRODUCTION BY VICTORIA GLENDINNING The Irish troubles rage, but up at the ‘Big House’, tennis parties, dances and flirtations with the English officers continue, undisturbed by the ambushes, arrests and burning country beyond the gates. Faint vibrations of discord reach the young girl Lois, who is straining for her own freedom, and she will witness the troubles surge closer and reach their irrevocable, inevitable climax.
About the Author
Kathryn Kirkpatrick is Assistant Professor at the Department of English, Appalachian State University.
About the Author
Suzanne Collins’ debut novel, Gregor the Overlander, the first book in The Underland Chronicles, received wide praise both in the United States and abroad. The series has been a New York Times bestseller and received numerous accolades. Also a writer for children’s television, Suzanne lives with her family in Connecticut.
Stories, essays, and interviews explore dystopias that may offer lessons for the present.As the recent success of Margaret Atwood’s novel-turned-television hit Handmaid’s Tale shows us, dystopia is more than minatory fantasy; it offers a critical lens upon the present. “It is not only a kind of vocabulary and idiom,” says bestselling author and volume editor Junot Diaz. “It is a useful arena in which to begin to think about who we are becoming.”Bringing together some of the most prominent writers of science fiction and introducing fresh talent, this collection of stories, essays, and interviews explores global dystopias in apocalyptic landscapes and tech futures, in robot sentience and forever war. Global Dystopias engages the familiar horrors of George Orwell’s 1984 alongside new work by China Mieville, Tananarive Due, and Maria Dahvana Headley. In “Don’t Press Charges, and I Won’t Sue,” award-winning writer Charlie Jane Anders uses popularized stigmas toward transgender people to create a not-so-distant future in which conversion therapy is not only normalized, but funded by the government. Henry Farrell surveys the work of dystopian forebear Philip K. Dick and argues that distinctions between the present and the possible future aren’t always that clear. Contributors also include Margaret Atwood and award-winning speculative writer, Nalo Hopkinson.In the era of Trump, resurgent populism, and climate denial, this collection poses vital questions about politics and civic responsibility and subjectivity itself. If we have, as Diaz says, reached peak dystopia, then Global Dystopias might just be the handbook we need to survive it.ContributorsCharlie Jane Anders, Margaret Atwood, Tananarive Due, Maria Dahvana Headley, Nalo Hopkinson, Maureen McHugh, China Mieville, Alex Rivera, Jordy Rosenberg
The powerful evocation of a childhood in Harlem that helped to galvanize the early days of the civil rights movement examines the deep consequences of racial injustice to both the individual and the body politic. Reissue. 20,000 first printing.
The Day of the Locust is an exposure of the sordid reality beneath the surface of Hollywood, where West worked and The Dream Life of Balso Snell is a surrealist fantasy.
Tod Hackett is a brilliant young artist – and a man in danger of losing his heart. Brought to an LA studio as a set-designer, he is soon caught up in a fantasy world where the cult of celebrity rules.But when he becomes besotted by the beautiful Faye, an aspiring actress and occasional call-girl, his dream rapidly becomes a nightmare. For, with little in the way of looks and no money to buy her time, Tod’s desperate passion can only lead to frustration, disillusionment and rage …
How was magic practised in medieval times? How did it relate to the diverse beliefs and practices that characterised this fascinating period? In Magic in the Middle Ages Richard Kieckhefer surveys the growth and development of magic in medieval times. He examines its relation to religion, science, philosophy, art, literature and politics before introducing us to the different types of magic that were used, the kinds of people who practised magic and the reasoning behind their beliefs. In addition, he shows how magic served as a point of contact between the popular and elite classes, how the reality of magical beliefs is reflected in the fiction of medieval literature and how the persecution of magic and witchcraft led to changes in the law. This book places magic at the crossroads of medieval culture, shedding light on many other aspects of life in the Middle Ages.
A masterly story of myth, rebellion, love, friendship and betrayal from one of Africa’s great writers, Ngugi wa Thiong’o’s A Grain of Wheat includes an introduction by Abdulrazak Gurnah, author of By the Sea, in Penguin Modern Classics. It is 1963 and Kenya is on the verge of Uhuru – Independence Day. The mighty british government has been toppled, and in the lull between the fighting and the new world, colonized and colonizer alike reflect on what they have gained and lost. In the village of Thabai, the men and women who live there have been transformed irrevocably by the uprising. Kihika, legendary rebel leader, was fatally betrayed to the whiteman. Gikonyo’s marriage to the beautiful Mumbi was destroyed when he was imprisoned, while her life has been shattered in other ways. And Mugo, brave survivor of the camps and now a village hero, harbours a terrible secret. As events unfold, compromises are forced, friendships are betrayed and loves are tested. Kenyan novelist and playwright Ngugi wa Thiong’o is the author of Weep Not Child (1964), The River Between (1965), and Petals of Blood (1977). Ngugi was chair of the Department of Literature at the University of Nairobi from 1972 to 1977. He left Kenya in 1982 and taught at various universities in the United States before he became professor of comparative literature and performance studies at New York University in 1992. If you enjoyed A Grain of Wheat, you might like Chinua Achebe’s Things Fall Apart, also available in Penguin Modern Classics. ‘With Ngugi history is a living tissue … this book adds cubits to his already considerable stature’Guardian