Animal’s People: A Novel
Shortlisted for the Booker Prize, “Animal’s People” is by turns a profane, scathingly funny, and piercingly honest tale of a boy so badly damaged by the poisons released during a chemical plant leak that he walks on all fours.
New in the Harper Perennial Modern Chinese Classics series, Border Town is a classic Chinese novel—banned by Mao’s regime—that captures the ideals of rural China through the moving story of a young woman and her grandfather. Originally published in 1934 by author Shen Congwen, this beautifully written novel tells the story of Cuicui, a young country girl who is coming of age in rural China in the tumultuous time before the communist revolution.
Set on a Bengali noble’s estate in 1908, this is both a love story and a novel of political awakening. The central character, Bimala, is torn between the duties owed to her husband, Nikhil, and the demands made on her by the radical leader, Sandip. Her attempts to resolve the irreconciliable pressures of the home and world reflect the conflict in India itself, and the tragic outcome foreshadows the unrest that accompanied Partition in 1947.
Shakespeare’s valedictory play is also one of his most poetical and magical. The story involves the spirit Ariel, the savage Caliban, and Prospero, the banished Duke of Milan, now a wizard living on a remote island who uses his magic to shipwreck a party of ex-compatriots.
This Norton Critical Edition includes twenty-eight tales from The Arabian Nights translated by Husain Haddawy on the basis of the oldest existing Arabic manuscript.
Few works of literature are as familiar and beloved as The Arabian Nights. Yet few remain also as unknown. In English, The Arabian Nights is a literary work of relatively recent date—the first versions of the tales appeared in English barely two hundred years ago. The tales are accompanied by a preface, a note on the text, and explanatory annotations.
“Contexts” presents three of the oldest witnesses to The Arabian Nights in the Arabic tradition, together in English for the first time: an anonymous ninth-century fragment, Al Mas‘udi’s Muruj al-Dhahab, and Ibn al-Nadim’s The Fihrist. Also included are three related works by the nineteenth- and twentieth-century writers Edgar Allan Poe, Marcel Proust, and Taha Husayn.
“Criticism” collects eleven wide-ranging essays on The Arabian Nights’ central themes by Hugo von Hofmannsthal, Josef Horovitz, Jorge Luis Borges, Francesco Gabrieli, Mia Irene Gerhardt, Tzvetan Todorov, Andras Hamori, Heinz Grotzfield, Jerome W. Clinton, Abdelfattah Kilito, and David Pinault.
A Chronology of The Arabian Nights and a Selected Bibliography are also included.