Language : English
Published : 1999-06-01
Pages : 288
Bridget Jones’s Diary: A Novel
“Bridget Jones’s Diary” is the devastatingly self-aware, laugh-out-loud account of a year in the life of a thirty-something Singleton on a permanent doomed quest for self-improvement. Caught between the joys of Singleton fun, and the fear of dying alone and being found three weeks later half eaten by an Alsatian; tortured by Smug Married friends asking, “How’s your love life?” with lascivious, yet patronizing leers, Bridget resolves to: reduce the circumference of each thigh by 1.5 inches, visit the gym three times a week not just to buy a sandwich, form a functional relationship with a responsible adult and learn to program the VCR. With a blend of flighty charm, existential gloom, and endearing self-deprecation, “Bridget Jones’s Diary” has touched a raw nerve with millions of readers the world round. Read it and laugh–before you cry, “Bridget Jones is me!”
About the Author
Helen Fielding, a journalist and a novelist, is the author of three Bridget Jones novels, including Bridget Jones s Diary, Bridget Jones: The Edge of Reason, andBridget Jones: Mad About the Boy. Her other novels include Cause Celeb and Olivia Joules and the Overactive Imagination. She also co-wrote the screenplays for the blockbuster movie adaptations of the first two Bridget Jones books as well as for the forthcoming Working Titles film Bridget Jones’s Baby (in theaters September 2016); which she is also an executive producer. Follow her on Twitter @bridgetjoneshf.”
David Hintons compelling new translation of Chuang Tzus Inner Chapters makes these ancient texts from the Golden Age of Chinese philosophy accessible to contemporary readers. Standing alongside the Tao Te Ching as a founding text in the Taoist tradition, Chuang Tzu is highly readablewith a wild menagerie of characters and passages full of witty and engaging anecdotes. Revered for millennia in the Chinese spiritual tradition, Chuang Tzu stands alongside the Tao Te Ching as a founding classic of Taoism. The Inner Chapters is the only sustained section of this text widely believed to be the work of Chuang Tzu himself, dating to the fourth century B.C. Witty and engaging, spiced with the lyricism of poetry, Chuang Tzus Taoist insights are timely and eternal, profoundly concerned with spiritual ecology. Indeed, the Tao of Chuang Tzu was a wholesale rejection of a human-centered approach. Zen traces its sources back to these Taoist roots–roots at least as deep as those provided by Buddhism. But this is an ancient text that yields a surprisingly modern effect. In bold and startling prose, David Hintons translation captures the zany texture and philosophical abandon of the original. The Inner Chapterss fantastical passages–in which even birds and trees teach us what they know–offer up a wild menagerie of characters, freewheeling play with language, and surreal humor. And interwoven with Chuang Tzus sharp instruction on the Tao are short-short stories that are often rough and ribald, rich with satire and paradox.On their deepest level, The Inner Chapters are a meditation on the mysteries of knowledge itself. Chuang Tzus propositions, the translators introduction reminds us, seem to be in constant transformation, for he deploys words and concepts only to free us of words and concepts. Hintons vital new translation makes this ancient text from the golden age of Chinese philosophy accessible to contemporary readers.
Shakespeare’s valedictory play is also one of his most poetical and magical. The story involves the spirit Ariel, the savage Caliban, and Prospero, the banished Duke of Milan, now a wizard living on a remote island who uses his magic to shipwreck a party of ex-compatriots.
The splendour and richness of Chinese classical literature encompasses a dazzling range, from poetry, rhymed prose and eaasy to drama and novels, with outstanding representative works in each genre.
Despite the passage of time, these works remain fresh and relevant today. The immortals lines from Li Bai’s ‘Reflections on a Quiet Night’, “Raising my head, I look at the bright moon; Hanging my head, I think of home,” continue to strike a chord in the heart of many a traveller far from home, while the tragedy in The Dream of the Red Chamber is still able to move us deeply.
Using illustrations and lucid exposition of the various styles of classical Chinese literature, this book takes the reader on a tour of the Chinese literary world and provides a valuable insight into the Chinese civilisation.
The Time Machine is a novella by H. G. Wells, first published in 1895 and later directly adapted into at least two feature films of the same name, as well as two television versions, and a large number of comic book adaptations. It indirectly inspired many more works of fiction in all media. This 38,000 word novella is generally credited with the popularization of the concept of time travel using a vehicle that allows an operator to travel purposefully and selectively. The term “time machine”, coined by Wells, is now universally used to refer to such a vehicle. Wells introduces an early example of the Dying Earth subgenre as well.