Language : English
Published : 1999-06-01
Pages : 288
Bridget Jones’s Diary: A Novel
“Bridget Jones’s Diary” is the devastatingly self-aware, laugh-out-loud account of a year in the life of a thirty-something Singleton on a permanent doomed quest for self-improvement. Caught between the joys of Singleton fun, and the fear of dying alone and being found three weeks later half eaten by an Alsatian; tortured by Smug Married friends asking, “How’s your love life?” with lascivious, yet patronizing leers, Bridget resolves to: reduce the circumference of each thigh by 1.5 inches, visit the gym three times a week not just to buy a sandwich, form a functional relationship with a responsible adult and learn to program the VCR. With a blend of flighty charm, existential gloom, and endearing self-deprecation, “Bridget Jones’s Diary” has touched a raw nerve with millions of readers the world round. Read it and laugh–before you cry, “Bridget Jones is me!”
About the Author
Helen Fielding, a journalist and a novelist, is the author of three Bridget Jones novels, including Bridget Jones s Diary, Bridget Jones: The Edge of Reason, andBridget Jones: Mad About the Boy. Her other novels include Cause Celeb and Olivia Joules and the Overactive Imagination. She also co-wrote the screenplays for the blockbuster movie adaptations of the first two Bridget Jones books as well as for the forthcoming Working Titles film Bridget Jones’s Baby (in theaters September 2016); which she is also an executive producer. Follow her on Twitter @bridgetjoneshf.”
In this volume, CHINESE LITERATURE, you will meet great minds among the Chinese literates. Since reading is a form pf pleasure that has been enjoyed for thousands of years, literature gives us the opportunity to meet great writers in Chinese history who have distilled their thoughts on life and society. This book will trace the development of literature from the pre-Qin Dynasty era to the last monarchic regime, the Qing Dynasty.
Used in a variety of courses in various disciplines, Asking the Right Questions helps students bridge the gap between simply memorizing or blindly accepting information, and the greater challenge of critical analysis and synthesis. Specifically, this concise text teaches students to think critically by exploring the components of arguments–issues, conclusions, reasons, evidence, assumptions, language–and on how to spot fallacies and manipulations and obstacles to critical thinking in both written and visual communication. It teaches them to respond to alternative points of view and develop a solid foundation for making personal choices about what to accept and what to reject.
The third edition of The Oxford Companion to Classical Literature is the complete and authoritative reference guide to the classical world and its literary heritage. It not only presents the reader with all the essential facts about the authors, tales, and characters from ancient myths and literature, but it also places these details in the wider contexts of the history and society of the Greek and Roman worlds. With an extensive web of cross-references and a useful chronological table and location maps (all of which have been brought fully up to date), this volume traces the development of literary forms and the classical allusions which have become embedded in our Western culture. Extensively revised and updated, the Companion includes more thematic entries – medicine, friendship, science, the concept of freedom, and sexuality. These topical entries provide an excellent starting point to the exploration of their subjects in classical literature. The Companion contains extensive biographies of classical literary figures from Aeschylus to Zeno; entries on a multitude of literary styles from biography and rhetoric to lyric poetry and epic, and character entries and plot summaries for the major figures and myths in the classical canon. It is the ideal guide for students in Classics, and for all who are passionate about the vast and varied literary tradition bequeathed to us from the classical world.
David Hintons compelling new translation of Chuang Tzus Inner Chapters makes these ancient texts from the Golden Age of Chinese philosophy accessible to contemporary readers. Standing alongside the Tao Te Ching as a founding text in the Taoist tradition, Chuang Tzu is highly readablewith a wild menagerie of characters and passages full of witty and engaging anecdotes. Revered for millennia in the Chinese spiritual tradition, Chuang Tzu stands alongside the Tao Te Ching as a founding classic of Taoism. The Inner Chapters is the only sustained section of this text widely believed to be the work of Chuang Tzu himself, dating to the fourth century B.C. Witty and engaging, spiced with the lyricism of poetry, Chuang Tzus Taoist insights are timely and eternal, profoundly concerned with spiritual ecology. Indeed, the Tao of Chuang Tzu was a wholesale rejection of a human-centered approach. Zen traces its sources back to these Taoist roots–roots at least as deep as those provided by Buddhism. But this is an ancient text that yields a surprisingly modern effect. In bold and startling prose, David Hintons translation captures the zany texture and philosophical abandon of the original. The Inner Chapterss fantastical passages–in which even birds and trees teach us what they know–offer up a wild menagerie of characters, freewheeling play with language, and surreal humor. And interwoven with Chuang Tzus sharp instruction on the Tao are short-short stories that are often rough and ribald, rich with satire and paradox.On their deepest level, The Inner Chapters are a meditation on the mysteries of knowledge itself. Chuang Tzus propositions, the translators introduction reminds us, seem to be in constant transformation, for he deploys words and concepts only to free us of words and concepts. Hintons vital new translation makes this ancient text from the golden age of Chinese philosophy accessible to contemporary readers.