Language : English
Published : 1996-05-01
Pages : 352
Child of All Nations
Pramoedya Ananta Toer has been compared to John Steinbeck (The Washington Post), Nadine Gordimer (The Nation), and Charles Dickens (Publishers Weekly). He shares with Naguib Mahfouz the ability to “achieve what few writers today are able to accomplish: drawing the reader, body and soul, into another world” (Seattle Times). But the Chicago Tribune’s comparison to Aleksandr Solzhenitsyn is particularly apt. Not only is Pramoedya a writer of staggering depth and power, he is also one of his country’s most suppressed dissidents. All his work is banned in his native Indonesia; students have been sentenced to eight years in prison on charges stemming from an arrest for selling his books. In Child of All Nations, the reader is immediately swept up by a story that is profoundly feminist, devastatingly anticolonialist – and full of heartbreak, suspense, love, and fury. Pramoedya immerses the reader in a world that is astonishing in its vividness: the cultural whirlpool that was the Dutch East Indies of the 1890s. A story of awakening, it follows Minke, the main character of This Earth of Mankind, as he struggles to overcome the injustice all around him. Pramoedya’s full literary genius is evident in the brilliant characters that populate this world: Minke’s fragile Mixed-Race wife; a young Chinese revolutionary; an embattled Javanese peasant and his impoverished family; the French painter Jean Marais, to name just a few. Child of all Nations is the second in the series of four novels often called the Buru tetralogy. Many of the characters from This Earth of Mankind (the first volume) return to stunning effect in Child of All Nations. But this is a novel that can also be read entirely on its own.The Buru tetralogy was composed orally on Buru Island during the first half of the author’s fourteen-year imprisonment without trial. Writing or reading anything but religious texts was strictly forbidden. Pramoedya would tell each installment to the people with whom he shared.
About the Author
Pramoedya Ananta Toer, born on the island of Java in 1925, was imprisoned first by the Dutch, then by the Indonesian government as a political prisoner. He received the PEN Freedom to Write Award and the Ramon Magsaysay Award.
A family watches, horrified, as their patriarch transforms into the wise-cracking lead of an old-timey minstrel show. An art collector gleefully destroys his most valuable pieces. A young artist devotes himself to a wealthy, malicious gossip, knowing that it’s just a matter of time before she turns on him. In this new collection of short stories, Paul Theroux explores the tenuous leadership of the elite and the surprising revenge of the overlooked. He shows us humanity possessed, consumed by its own desires, always with his carefully honed eye and the subtle idiosyncrasies that bring his characters to life.
“To quietly persevere in storing up what is learned, to continue studying without respite, to instruct others without growing weary–is this not me?”
Confucius is recognized as China’s first and greatest teacher, and his ideas have been the fertile soil in which the Chinese cultural tradition has flourished. Now, here is a translation of the recorded thoughts and deeds that best remember Confucius–informed for the first time by the manuscript version found at Dingzhou in 1973, a partial text dating to 55 BCE and only made available to the scholarly world in 1997. The earliest Analects yet discovered, this work provides us with a new perspective on the central canonical text that has defined Chinese culture–and clearly illuminates the spirit and values of Confucius.
Confucius (551-479 BCE) was born in the ancient state of Lu into an era of unrelenting, escalating violence as seven of the strongest states in the proto-Chinese world warred for supremacy. The landscape was not only fierce politically but also intellectually. Although Confucius enjoyed great popularity as a teacher, and many of his students found their way into political office, he personally had little influence in Lu. And so he began to travel from state to state as an itinerant philosopher to persuade political leaders that his teachings were a formula for social and political success. Eventually, his philosophies came to dictate the standard of behavior for all of society–including the emperor himself.
Based on the latest research and complete with both Chinese and English texts, this revealing translation serves both as an excellent introduction to Confucian thought and as an authoritative addition to sophisticated debate.
Anthony C. Yu’s translation of The Journey to the West,initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey to the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China’s most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures. Throughout his journey, Xuanzang fights demons who wish to eat him, communes with spirits, and traverses a land riddled with a multitude of obstacles, both real and fantastical. An adventure rich with danger and excitement, this seminal work of the Chinese literary canonis by turns allegory, satire, and fantasy.
With over a hundred chapters written in both prose and poetry, The Journey to the West has always been a complicated and difficult text to render in English while preserving the lyricism of its language and the content of its plot. But Yu has successfully taken on the task, and in this new edition he has made his translations even more accurate and accessible. The explanatory notes are updated and augmented, and Yu has added new material to his introduction, based on his original research as well as on the newest literary criticism and scholarship on Chinese religious traditions. He has also modernized the transliterations included in each volume, using the now-standard Hanyu Pinyin romanization system. Perhaps most important, Yu has made changes to the translation itself in order to make it as precise as possible.
One of the great works of Chinese literature, The Journey to the West is not only invaluable to scholars of Eastern religion and literature, but, in Yu’s elegant rendering, also a delight for any reader.
The third edition of The Oxford Companion to Classical Literature is the complete and authoritative reference guide to the classical world and its literary heritage. It not only presents the reader with all the essential facts about the authors, tales, and characters from ancient myths and literature, but it also places these details in the wider contexts of the history and society of the Greek and Roman worlds. With an extensive web of cross-references and a useful chronological table and location maps (all of which have been brought fully up to date), this volume traces the development of literary forms and the classical allusions which have become embedded in our Western culture. Extensively revised and updated, the Companion includes more thematic entries – medicine, friendship, science, the concept of freedom, and sexuality. These topical entries provide an excellent starting point to the exploration of their subjects in classical literature. The Companion contains extensive biographies of classical literary figures from Aeschylus to Zeno; entries on a multitude of literary styles from biography and rhetoric to lyric poetry and epic, and character entries and plot summaries for the major figures and myths in the classical canon. It is the ideal guide for students in Classics, and for all who are passionate about the vast and varied literary tradition bequeathed to us from the classical world.