Language : English
Published : 2018-05-05
Pages : 310
China’s Change: The Greatest Show on Earth
About the Author:
After graduating in Politics, Philosophy and Economics from Oxford in 1973, Hugh Peyman co-authored with Richard Hall The Great Uhuru Railway: China’s Showpiece in Africa (Gollancz 1976), then moved with Reuters in 1977 to Hong Kong before joining Asia’s leading business, politics and economics magazine the Far Eastern Economic Review where he worked in Hong Kong and Malaysia.
Peyman began over 35 years of investment research in 1981, heading Asian Research ex-Japan for Merrill Lynch and Dresdner Kleinwort Benson, based in Singapore, before founding Research-Works in 1999 to do independent long-term Asian research for global asset managers. He speaks to investors, companies and students about China. He has lived in Shanghai since 2002.
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About the Author
James Meek is a contributing editor of the London Review of Books. He is the author of six novels that have published in the UK, US, France and Germany, including The People’s Act of Love, that was shortlisted for the Booker Prize, and won the Ondaatje Prize and Scottish Arts Council Award. We are Now Beginning our Descent won the 2008 Le Prince Maurice Prize and The Heart Broke In was shortlisted for the 2012 Costa Prize. In 2004 he was named the foreign correspondent of the year by the British Press Awards and he contributes regularly to the Guardian, New York Times and International Herald Tribune. www.jamesmeek.net
Following the Arab Spring, the Muslim Brotherhood achieved a level of influence previously unimaginable. Yet the implications of the Brotherhood’s rise and dramatic fall for the future of democratic governance, peace, and stability in the region are disputed and remain open to debate. Drawing on more than one hundred in-depth interviews as well as Arabic-language sources never before accessed by Western researchers, Carrie Rosefsky Wickham traces the evolution of the Muslim Brotherhood in Egypt from its founding in 1928 to the fall of Hosni Mubarak and the watershed elections of 2011-2012. Highlighting elements of movement continuity and change, Wickham demonstrates that shifts in Islamist worldviews, goals, and strategies are not the result of a single strand of cause and effect, and provides a systematic, fine-grained account of Islamist group evolution in Egypt and the wider Arab world. In a new afterword, Wickham discusses what has happened in Egypt since Muhammad Morsi was ousted and the Muslim Brotherhood fell from power.
About the Author
Carrie Rosefsky Wickham is associate professor of political science at Emory University. She is the author of Mobilizing Islam: Religion, Activism, and Political Change in Egypt.
Living The Singapore Story is about Singapore, all 50 years of it as an independent nation. It is not a history book, or about its politics or its national leaders. It is about the people of Singapore and the stories they have to tell, in their own words.
They come from all walks of life – policeman, soldier, doctor, nurse, car salesman, bus driver, teacher, businessman, architect and more – reflecting the diversity that is Singapore. Some are well-known personalities you may recognise but many are ordinary folks.
There are personal stories, of the lives they led, the jobs they did, the challenges they faced, the things they enjoyed doing. Collectively, they tell the story of a people overcoming the odds to build a nation.
As Singapore marks its 50th anniversary, their stories, in this book commissioned by the National Library Board and produced by Straits Times Press, are worth.
About the Author
Arundhati Roy was born in 1959 in Shillong, India. She studied architecture in New Delhi, where she now lives. She is the author of the novel The God of Small Things, for which she received the 1997 Booker Prize and has written several non-fiction books including Field Notes on Democracy: Listening to Grasshoppers, and Walking with the Comrades. She is a contributor to the Verso anthology Kashmir: The Case for Freedom. Roy is the recipient of the 2002 Lannan Foundation Cultural Freedom Prize.