Language : English
Published : 2009
Pages : 144
Company / Ill Seen Ill Said / Worstward Ho / Stirrings Still
These four last prose fictions by Samuel Beckett were originally published individually, and their composition spanned the final decade of his life. In Company a solitary hearer lying in blackness calls up images from the far-off past. Ill Seen Ill Said meditates upon an old woman living out her last days alone in an isolated snow-bound cottage, watched over by twelve mysterious sentinels. In Worstward Ho, a breathless speaker unravels the sense of things, acting out the unending injunction to ‘Try again. Fail again. Fail better.’ And Stirrings Still, published in the Guardian a few months before Beckett’s death in 1989, is the last prose work and testament of ‘this great soothsayer of the age, and of the aged’ (Christopher Ricks). The present edition includes several short prose texts (Heard in the Dark I & II, One Evening, The Way, Ceiling) which represent work in progress or works ancillary to the composition of these late masterpieces.
David Hintons compelling new translation of Chuang Tzus Inner Chapters makes these ancient texts from the Golden Age of Chinese philosophy accessible to contemporary readers. Standing alongside the Tao Te Ching as a founding text in the Taoist tradition, Chuang Tzu is highly readablewith a wild menagerie of characters and passages full of witty and engaging anecdotes. Revered for millennia in the Chinese spiritual tradition, Chuang Tzu stands alongside the Tao Te Ching as a founding classic of Taoism. The Inner Chapters is the only sustained section of this text widely believed to be the work of Chuang Tzu himself, dating to the fourth century B.C. Witty and engaging, spiced with the lyricism of poetry, Chuang Tzus Taoist insights are timely and eternal, profoundly concerned with spiritual ecology. Indeed, the Tao of Chuang Tzu was a wholesale rejection of a human-centered approach. Zen traces its sources back to these Taoist roots–roots at least as deep as those provided by Buddhism. But this is an ancient text that yields a surprisingly modern effect. In bold and startling prose, David Hintons translation captures the zany texture and philosophical abandon of the original. The Inner Chapterss fantastical passages–in which even birds and trees teach us what they know–offer up a wild menagerie of characters, freewheeling play with language, and surreal humor. And interwoven with Chuang Tzus sharp instruction on the Tao are short-short stories that are often rough and ribald, rich with satire and paradox.On their deepest level, The Inner Chapters are a meditation on the mysteries of knowledge itself. Chuang Tzus propositions, the translators introduction reminds us, seem to be in constant transformation, for he deploys words and concepts only to free us of words and concepts. Hintons vital new translation makes this ancient text from the golden age of Chinese philosophy accessible to contemporary readers.
“The Story of the Stone” (c. 1760) is one of the greatest novels of Chinese literature. The first part of the story, The Golden Days, begins the tale of Bao-yu, a gentle young boy who prefers girls to Confucian studies, and his two cousins: Bao-chai, his parents’ choice of a wife for him, and the ethereal beauty Dai-yu. Through the changing fortunes of the Jia family, this rich, magical work sets worldly events – love affairs, sibling rivalries, political intrigues, even murder – within the context of the Buddhist understanding that earthly existence is an illusion and karma determines the shape of our lives.
Used in a variety of courses in various disciplines, Asking the Right Questions helps students bridge the gap between simply memorizing or blindly accepting information, and the greater challenge of critical analysis and synthesis. Specifically, this concise text teaches students to think critically by exploring the components of arguments–issues, conclusions, reasons, evidence, assumptions, language–and on how to spot fallacies and manipulations and obstacles to critical thinking in both written and visual communication. It teaches them to respond to alternative points of view and develop a solid foundation for making personal choices about what to accept and what to reject.
The third edition of The Oxford Companion to Classical Literature is the complete and authoritative reference guide to the classical world and its literary heritage. It not only presents the reader with all the essential facts about the authors, tales, and characters from ancient myths and literature, but it also places these details in the wider contexts of the history and society of the Greek and Roman worlds. With an extensive web of cross-references and a useful chronological table and location maps (all of which have been brought fully up to date), this volume traces the development of literary forms and the classical allusions which have become embedded in our Western culture. Extensively revised and updated, the Companion includes more thematic entries – medicine, friendship, science, the concept of freedom, and sexuality. These topical entries provide an excellent starting point to the exploration of their subjects in classical literature. The Companion contains extensive biographies of classical literary figures from Aeschylus to Zeno; entries on a multitude of literary styles from biography and rhetoric to lyric poetry and epic, and character entries and plot summaries for the major figures and myths in the classical canon. It is the ideal guide for students in Classics, and for all who are passionate about the vast and varied literary tradition bequeathed to us from the classical world.