Language : English
Published : 2008-05-08
Pages : 944
‘I have in my heart of hearts a favourite child. And his name is DAVID COPPERFIELD,’ wrote Dickens of what is the most personal, certainly one of the most popular, of all his novels. Dickens wrote the book after the completion of a fragment of autobiography recalling his employment as a child in a London warehouse, and in the first-person narrative, a new departure for him, realized marvellously the workings of memory. The embodiment of his boyhood experience in the novel involved a ‘complicated interweaving of truth and fiction’, at its most subtle in the portrait of his father as Mr Micawber, one of Dickens’s greatest comic creations. Enjoying a humour that never becomes caricature, the reader shares David’s affection for the eccentric Betsey Trotwood and her protege Mr Dick, and smiles with the narrator at the trials he endures in his love for the delightfully silly Dora. Settings, (East Anglia, the London of the 1820s), people, and events are unified by their relationship to the story of Steerforth’s treachery, which reaches its powerful climax in the storm scene. This edition, which has the accurate Clarendon text, includes Dickens’s trial titles and working notes, and eight of the original illustrations by ‘Phiz’. ABOUT THE SERIES: For over 100 years Oxford World’s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford’s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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The splendour and richness of Chinese classical literature encompasses a dazzling range, from poetry, rhymed prose and eaasy to drama and novels, with outstanding representative works in each genre.
Despite the passage of time, these works remain fresh and relevant today. The immortals lines from Li Bai’s ‘Reflections on a Quiet Night’, “Raising my head, I look at the bright moon; Hanging my head, I think of home,” continue to strike a chord in the heart of many a traveller far from home, while the tragedy in The Dream of the Red Chamber is still able to move us deeply.
Using illustrations and lucid exposition of the various styles of classical Chinese literature, this book takes the reader on a tour of the Chinese literary world and provides a valuable insight into the Chinese civilisation.
“The Story of the Stone” (c. 1760) is one of the greatest novels of Chinese literature. The first part of the story, The Golden Days, begins the tale of Bao-yu, a gentle young boy who prefers girls to Confucian studies, and his two cousins: Bao-chai, his parents’ choice of a wife for him, and the ethereal beauty Dai-yu. Through the changing fortunes of the Jia family, this rich, magical work sets worldly events – love affairs, sibling rivalries, political intrigues, even murder – within the context of the Buddhist understanding that earthly existence is an illusion and karma determines the shape of our lives.
The society of Singapore Writers is proud to present this momentous anthology of poems by Singapore’s very own literary talents. Given their diversity in age, background, experience and style, the poets have bought to their works a rich spectrum of flavours and a wide array of perspectives.
Anthony Burgess commented that “the poetry of Arthur Yap meets the highest anglophone standards”, and that “Edwin Thumboo himself is modern”. Indeed, a Singapore literature has evolved.
Previously known as Poets of Singapore, Tides of Memories and Other Singapore Poems comes with many original poems by modern, forward-looking new entrants like Kang Bee Hua that raise current concerns and illuminate with their fresh perspectives. As Singapore prospers, we hope every member of this global city for the arts will respond magnanimously to our local poets.
“To quietly persevere in storing up what is learned, to continue studying without respite, to instruct others without growing weary–is this not me?”
Confucius is recognized as China’s first and greatest teacher, and his ideas have been the fertile soil in which the Chinese cultural tradition has flourished. Now, here is a translation of the recorded thoughts and deeds that best remember Confucius–informed for the first time by the manuscript version found at Dingzhou in 1973, a partial text dating to 55 BCE and only made available to the scholarly world in 1997. The earliest Analects yet discovered, this work provides us with a new perspective on the central canonical text that has defined Chinese culture–and clearly illuminates the spirit and values of Confucius.
Confucius (551-479 BCE) was born in the ancient state of Lu into an era of unrelenting, escalating violence as seven of the strongest states in the proto-Chinese world warred for supremacy. The landscape was not only fierce politically but also intellectually. Although Confucius enjoyed great popularity as a teacher, and many of his students found their way into political office, he personally had little influence in Lu. And so he began to travel from state to state as an itinerant philosopher to persuade political leaders that his teachings were a formula for social and political success. Eventually, his philosophies came to dictate the standard of behavior for all of society–including the emperor himself.
Based on the latest research and complete with both Chinese and English texts, this revealing translation serves both as an excellent introduction to Confucian thought and as an authoritative addition to sophisticated debate.