Language : English
Published : 1989
Pages : 96
Discourse on Metaphysics and Other Essays
Discourse on Metaphysics and Other Essays contains complete translations of the two essays that constitute the best introductions to Leibniz’s complex thought: Discourse on Metaphysics of 1686 and Monadology of 1714. These are supplemented with two essays of special interest to the student of modern philosophy, On the Ultimate Origination of Things of 1697 and the Preface to his New Essays of 1703-1705. The translations are taken from Leibniz, Philosophical Essays, edited and translated by Roger Ariew and Daniel Garber (Hackett, 1989).
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This is a chronicle of Chinese thought from the third millennium sage-kings to the 1911 overthrow of the monarchical system. It focuses particularly on the most commonly known schools of Confucianism and Taoism, with insights into Mohism, “Yin-Yang”, Legalism, New-Taoism and Neo-Confucianism.
At the start of the new millennium cities are firmly back on the agenda. Cities are the sites of complex global/local interconnections producing a multiplicity of social, cultural, political and economic spaces and forms. It is no longer possible, if it ever was, to look at the city from one perspective. A Companion to the City sets out to think about cities in more textured ways and brings together scholars from a range of fields to create a multidisciplinary approach to the city. Academics from disciplines as diverse as film studies and economics, philosophy and geography, turn their attention to the city and generate exciting new ways of thinking. This Companion provides the reader with an indispensable and authoritative overview of the key debates, controversies, and questions concerning the city from a variety of theoretical vantage points with an international perspective. It can be used as as stand-alone text or in conjunction with The Blackwell City Reader (Blackwell Publishing, 2002), compiled by the same editors.
This is the first complete, one-volume English translation of the ancient Chinese text Xunzi, one of the most extensive, sophisticated, and elegant works in the tradition of Confucian thought. Through essays, poetry, dialogues, and anecdotes, the Xunzi articulates a Confucian perspective on ethics, politics, warfare, language, psychology, human nature, ritual, and music, among other topics. Aimed at general readers and students of Chinese thought, Eric Hutton’s translation makes the full text of this important work more accessible in English than ever before. Named for its purported author, the Xunzi (literally, “Master Xun”) has long been neglected compared to works such as the Analects of Confucius and the Mencius. Yet interest in the Xunzi has grown in recent decades, and the text presents a much more systematic vision of the Confucian ideal than the fragmented sayings of Confucius and Mencius. In one famous, explicit contrast to them, the Xunzi argues that human nature is bad. However, it also allows that people can become good through rituals and institutions established by earlier sages. Indeed, the main purpose of the Xunzi is to urge people to become as good as possible, both for their own sakes and for the sake of peace and order in the world. In this edition, key terms are consistently translated to aid understanding and line numbers are provided for easy reference. Other features include a concise introduction, a timeline of early Chinese history, a list of important names and terms, cross-references, brief explanatory notes, a bibliography, and an index.
About the Author
Eric L. Hutton is associate professor of philosophy at the University of Utah.
Originally delivered as the prestigious Mellon Lectures on the Fine Arts in 1995, After the End of Art remains a classic of art criticism and philosophy, and continues to generate heated debate for contending that art ended in the 1960s. Arthur Danto, one of the best-known art critics of his time, presents radical insights into art’s irrevocable deviation from its previous course and the decline of traditional aesthetics. He demonstrates the necessity for a new type of criticism in the face of contemporary art’s wide-open possibilities. This Princeton Classics edition includes a new foreword by philosopher Lydia Goehr.
About the Author
Arthur C. Danto (1924-2013) was the Johnsonian Professor Emeritus of Philosophy at Columbia University and art critic for the “Nation” from 1984 to 2009. His books include “What Art Is” and “Encounters and Reflections”, winner of the 1990 National Book Critics Circle Award in Criticism. Lydia Goehr is professor of philosophy at Columbia University. Her books include “The Imaginary Museum of Musical Works” and “Elective Affinities”.