Language : English
Published : 1996-05-01
Pages : 474
As the world moves into the twentieth century, Minke, one of the few European-educated Javanese, optimistically starts a new life in a new town: Betawi. With his enrollment in medical school and the opportunity to meet new people, there is every reason to believe that he can leave behind the tragedies of the past. But Minke can no more escape his past than he can escape his situation as part of an oppressed people under a foreign power. As his world begins to fall apart, Minke draws a small but fervent group around him to fight back against colonial exploitation. During the struggle, Minke finds love, friendship, and betrayal – with tragic consequences. And he goes from wanting to understand his world to wanting to change it. Pramoedya’s full literary genius is again evident in the remarkable characters that populate the novel – and in his depiction of a people’s painful emergence from colonial domination and the shackles of tradition. It is no wonder that Carolyn See, writing in The Washington Post Book World, commented, “Pramoedya Ananta Toer should get the Nobel Prize, but failing that, where are the miniseries people? This story is spellbinding”. The Buru tetralogy was composed orally on Buru Island during the first half of the author’s fourteen-year imprisonment without trial. Writing or reading anything but religious texts was strictly forbidden. Pramoedya would tell each installment to the people with whom he shared his hut; they in turn would tell others until the thousands of political prisoners held on Buru knew the story. In the latter half of his imprisonment, Pramoedya was allowed to write the novels he had composed orally.
About the Author
Pramoedya Ananta Toer, born on the island of Java in 1925, was imprisoned first by the Dutch, then by the Indonesian government as a political prisoner. He received the PEN Freedom to Write Award and the Ramon Magsaysay Award.
Used in a variety of courses in various disciplines, Asking the Right Questions helps students bridge the gap between simply memorizing or blindly accepting information, and the greater challenge of critical analysis and synthesis. Specifically, this concise text teaches students to think critically by exploring the components of arguments–issues, conclusions, reasons, evidence, assumptions, language–and on how to spot fallacies and manipulations and obstacles to critical thinking in both written and visual communication. It teaches them to respond to alternative points of view and develop a solid foundation for making personal choices about what to accept and what to reject.
The society of Singapore Writers brings out for the first time a collection of short stories. The contributors hail from a varied background , and differ in age, experience and style of writing.
With 5,000 years of history, India is a culture united by diversity. Her literary traditions reflect her glory and heritage. Today, great works like Ramayana, Mahabharata and Jataka Tales echo throughout the world, having been portrayed in diverse art forms.
Writings of the Indian subcontinent can be found in no less than 17 languages, and the scope of Indian literature is too vast to cover in its entirety. Nonetheless, we hope to provide in this volume a glimpse into Indian’s ancient, pre-medieval and post-medieval literature.
Gateway to Indian Classical Literature features the most famous poets and writers who not only influenced the masses but founded entirely new schools of thought. Each section introduces the seminal works of each era, and addresses its influence on contemporary literature. Through these pages, you will be transported into the world of deities and demons, light and darkness, and India’s greatest aspirations and thoughts.
The Divine Comedy, translated by Allen Mandelbaum, begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity.
Mandelbaum’s astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets.
This Everyman’s edition–containing in one volume all three cantos, Inferno, Purgatorio, and Paradiso–includes an introduction by Nobel Prize—winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli’s marvelous late-fifteenth-century series of illustrations.