Language : English
Published : 2008-10-01
Pages : 264
Shelley’s suspenseful and intellectually rich gothic tale confronts some of the most important and enduring themes in all of literture–the power of human imagination, the potential hubris of science, the gulf between appearance and essence, the effects of human cruelty, the desire for revenge and the need for forgiveness, and much more. “The select bibliography by M.K. Joseph is of benefit to our students.”–Dr. Darlene J. Alberts, Ohio Dominican College “This has proved ideal for my Freshman class…compact, inexpensive, clearly printed with margins big enough to scribble in!”–Hilary Kaplan, University of California and Los Angeles “The best general edition of this classic text in terms of text, notes, and general design.”–Barry M. Katz, Stanford University “Indispensable for the study of Shelley’s Frankenstein.”–Eric Rabkin, University of Michigan “Marilyn Butlers introduction was comprehensive and informative and provided a valuable background for my general intro to lit students. The inclusion of the apprndices was also useful and thought-provoking.”–Stephanie Wardrop, Colorado State University
New in the Harper Perennial Modern Chinese Classics series, Border Town is a classic Chinese novel—banned by Mao’s regime—that captures the ideals of rural China through the moving story of a young woman and her grandfather. Originally published in 1934 by author Shen Congwen, this beautifully written novel tells the story of Cuicui, a young country girl who is coming of age in rural China in the tumultuous time before the communist revolution.
This Norton Critical Edition includes twenty-eight tales from The Arabian Nights translated by Husain Haddawy on the basis of the oldest existing Arabic manuscript.
Few works of literature are as familiar and beloved as The Arabian Nights. Yet few remain also as unknown. In English, The Arabian Nights is a literary work of relatively recent date—the first versions of the tales appeared in English barely two hundred years ago. The tales are accompanied by a preface, a note on the text, and explanatory annotations.
“Contexts” presents three of the oldest witnesses to The Arabian Nights in the Arabic tradition, together in English for the first time: an anonymous ninth-century fragment, Al Mas‘udi’s Muruj al-Dhahab, and Ibn al-Nadim’s The Fihrist. Also included are three related works by the nineteenth- and twentieth-century writers Edgar Allan Poe, Marcel Proust, and Taha Husayn.
“Criticism” collects eleven wide-ranging essays on The Arabian Nights’ central themes by Hugo von Hofmannsthal, Josef Horovitz, Jorge Luis Borges, Francesco Gabrieli, Mia Irene Gerhardt, Tzvetan Todorov, Andras Hamori, Heinz Grotzfield, Jerome W. Clinton, Abdelfattah Kilito, and David Pinault.
A Chronology of The Arabian Nights and a Selected Bibliography are also included.
Shakespeare’s valedictory play is also one of his most poetical and magical. The story involves the spirit Ariel, the savage Caliban, and Prospero, the banished Duke of Milan, now a wizard living on a remote island who uses his magic to shipwreck a party of ex-compatriots.
This short study of the life of the Blessed Prophet of Islam ( ) for high school and above is neither a new historical analysis nor yet another purely devotional sketch of the earthly career of God’s last prophet. Written by Islam ‘s best ambassador in the West, this biography of the Prophet ( ) takes the spiritual dimensions into consideration as well as the more factual and historical elements of the life of the person who changed human history.