Language : English
Published : 2008-10-01
Pages : 264
Shelley’s suspenseful and intellectually rich gothic tale confronts some of the most important and enduring themes in all of literture–the power of human imagination, the potential hubris of science, the gulf between appearance and essence, the effects of human cruelty, the desire for revenge and the need for forgiveness, and much more. “The select bibliography by M.K. Joseph is of benefit to our students.”–Dr. Darlene J. Alberts, Ohio Dominican College “This has proved ideal for my Freshman class…compact, inexpensive, clearly printed with margins big enough to scribble in!”–Hilary Kaplan, University of California and Los Angeles “The best general edition of this classic text in terms of text, notes, and general design.”–Barry M. Katz, Stanford University “Indispensable for the study of Shelley’s Frankenstein.”–Eric Rabkin, University of Michigan “Marilyn Butlers introduction was comprehensive and informative and provided a valuable background for my general intro to lit students. The inclusion of the apprndices was also useful and thought-provoking.”–Stephanie Wardrop, Colorado State University
This Norton Critical Edition includes twenty-eight tales from The Arabian Nights translated by Husain Haddawy on the basis of the oldest existing Arabic manuscript.
Few works of literature are as familiar and beloved as The Arabian Nights. Yet few remain also as unknown. In English, The Arabian Nights is a literary work of relatively recent date—the first versions of the tales appeared in English barely two hundred years ago. The tales are accompanied by a preface, a note on the text, and explanatory annotations.
“Contexts” presents three of the oldest witnesses to The Arabian Nights in the Arabic tradition, together in English for the first time: an anonymous ninth-century fragment, Al Mas‘udi’s Muruj al-Dhahab, and Ibn al-Nadim’s The Fihrist. Also included are three related works by the nineteenth- and twentieth-century writers Edgar Allan Poe, Marcel Proust, and Taha Husayn.
“Criticism” collects eleven wide-ranging essays on The Arabian Nights’ central themes by Hugo von Hofmannsthal, Josef Horovitz, Jorge Luis Borges, Francesco Gabrieli, Mia Irene Gerhardt, Tzvetan Todorov, Andras Hamori, Heinz Grotzfield, Jerome W. Clinton, Abdelfattah Kilito, and David Pinault.
A Chronology of The Arabian Nights and a Selected Bibliography are also included.
The Divine Comedy, translated by Allen Mandelbaum, begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity.
Mandelbaum’s astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets.
This Everyman’s edition–containing in one volume all three cantos, Inferno, Purgatorio, and Paradiso–includes an introduction by Nobel Prize—winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli’s marvelous late-fifteenth-century series of illustrations.
A family watches, horrified, as their patriarch transforms into the wise-cracking lead of an old-timey minstrel show. An art collector gleefully destroys his most valuable pieces. A young artist devotes himself to a wealthy, malicious gossip, knowing that it’s just a matter of time before she turns on him. In this new collection of short stories, Paul Theroux explores the tenuous leadership of the elite and the surprising revenge of the overlooked. He shows us humanity possessed, consumed by its own desires, always with his carefully honed eye and the subtle idiosyncrasies that bring his characters to life.
Used in a variety of courses in various disciplines, Asking the Right Questions helps students bridge the gap between simply memorizing or blindly accepting information, and the greater challenge of critical analysis and synthesis. Specifically, this concise text teaches students to think critically by exploring the components of arguments–issues, conclusions, reasons, evidence, assumptions, language–and on how to spot fallacies and manipulations and obstacles to critical thinking in both written and visual communication. It teaches them to respond to alternative points of view and develop a solid foundation for making personal choices about what to accept and what to reject.