Language : English
Published : 2003
Pages : 352
Frankenstein: Or the Modern Prometheus
Obsessed by creating life itself, Victor Frankenstein plunders graveyards for the material to fashion a new being, which he shocks into life by electricity. But his botched creature, rejected by Frankenstein and denied human companionship, sets out to destroy his maker and all that he holds dear. Mary Shelley’s chilling gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley near Byron’s villa on Lake Geneva. It would become the world’s most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity.
About the Author
Mary Shelley was born in 1797, the only daughter of writers William Godwin and Mary Wollstonecraft Godwin. In 1814 she eloped with poet Percy Bysshe Shelley, whom she married in 1816. She is best remembered as the author of Frankenstein, but she wrote several other works, including Valperga and The Last Man. She died in 1851. Maurice Hindle studied at the universities of Keele, Durham and Essex, gaining a Ph.D. in Literature from Essex in 1989. He currently teaches at the Open University.
The Time Machine is a novella by H. G. Wells, first published in 1895 and later directly adapted into at least two feature films of the same name, as well as two television versions, and a large number of comic book adaptations. It indirectly inspired many more works of fiction in all media. This 38,000 word novella is generally credited with the popularization of the concept of time travel using a vehicle that allows an operator to travel purposefully and selectively. The term “time machine”, coined by Wells, is now universally used to refer to such a vehicle. Wells introduces an early example of the Dying Earth subgenre as well.
With 5,000 years of history, India is a culture united by diversity. Her literary traditions reflect her glory and heritage. Today, great works like Ramayana, Mahabharata and Jataka Tales echo throughout the world, having been portrayed in diverse art forms.
Writings of the Indian subcontinent can be found in no less than 17 languages, and the scope of Indian literature is too vast to cover in its entirety. Nonetheless, we hope to provide in this volume a glimpse into Indian’s ancient, pre-medieval and post-medieval literature.
Gateway to Indian Classical Literature features the most famous poets and writers who not only influenced the masses but founded entirely new schools of thought. Each section introduces the seminal works of each era, and addresses its influence on contemporary literature. Through these pages, you will be transported into the world of deities and demons, light and darkness, and India’s greatest aspirations and thoughts.
The Divine Comedy, translated by Allen Mandelbaum, begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity.
Mandelbaum’s astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets.
This Everyman’s edition–containing in one volume all three cantos, Inferno, Purgatorio, and Paradiso–includes an introduction by Nobel Prize—winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli’s marvelous late-fifteenth-century series of illustrations.
A family watches, horrified, as their patriarch transforms into the wise-cracking lead of an old-timey minstrel show. An art collector gleefully destroys his most valuable pieces. A young artist devotes himself to a wealthy, malicious gossip, knowing that it’s just a matter of time before she turns on him. In this new collection of short stories, Paul Theroux explores the tenuous leadership of the elite and the surprising revenge of the overlooked. He shows us humanity possessed, consumed by its own desires, always with his carefully honed eye and the subtle idiosyncrasies that bring his characters to life.