Language : English
Published : 2013-01-07
Pages : 512
Historical Linguistics 3rd Edition
This is an accessible, hands-on introduction to historical linguistics. This practical introduction to the study of language change does not just talk about topics. With abundant examples and exercises, it helps students learn for themselves how to do historical linguistics. Distinctive to the book is its combination of the traditional standard topics with others now considered vital to historical linguistics: explanations of why languages change; sociolinguistic aspects of linguistic change; syntactic change and grammaticalization; distant genetic relationships; and linguistic prehistory. In addition, this edition contains two new chapters on morphological change and quantitative approaches; an expanded chapter on language contact with new sections on pidgins and creoles, mixed languages, and endangered languages; new sections on the language families and language isolates of the world; examination of specific proposals of distant genetic relationship; and a new section on writing systems. With its clear, readable style, expert guidance and comprehensive coverage, “Historical Linguistics: An Introduction” is not only an invaluable textbook for students coming to the subject for the first time, but also an enlightening read for specialists in the field and non-specialists alike. Key features: practical hands-on approach to the subject, including numerous student exercises; examples taken from a wide range of languages, including non-Indo-European languages, illustrate concepts and methods; engaging writing style combined with insightful coverage makes this an engrossing introduction; and, separate pdf ‘Answer Key’ is available for lecturers.
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Consistently praised as the best volume on classic elements of web site design, Web Style Guide has sold many thousands of copies and has been published around the world. This new revised edition confirms Web Style Guide as the go-to authority in a rapidly changing market. As web designers move from building sites from scratch to using content management and aggregation tools, the book’s focus shifts away from code samples and toward best practices, especially those involving mobile experience, social media, and accessibility. An ideal reference for web site designers in corporations, government, nonprofit organizations, and academic institutions, the book explains established design principles and covers all aspects of web design-from planning to production to maintenance. The guide also shows how these principles apply in web design projects whose primary concerns are information design, interface design, and efficient search and navigation.
About the Author
Patrick J. Lynch is senior digital officer in Yale University’s Office of Public Affairs and Communications. He lives in North Haven, CT. Sarah Horton is user experience strategy lead for the Paciello Group. She lives in New York City.
During a career that spanned more than forty years, from the late 1960s until his death in 2012, Michael Asher created site-specific installations and institutional interventions that examined the conditions of art’s production, display, and reception. At the Art Institute of Chicago, for example, he famously relocated a bronze replica of an eighteenth-century sculpture of George Washington from the museum’s entrance to an interior gallery, thereby highlighting the disjunction between the statue’s symbolic function as a public monument and its aesthetic origins as an artwork. Today, Asher is celebrated as one of the forerunners of institutional critique. Yet because of Asher’s situation-based method of working, and his resistance to making objects that could circulate in the art market, few of his works survive in physical form. What does survive is writing by scholars and critics about his diverse practice. The essays in this volume document projects that range from Asher’s environmental works and museum displacements to his research-based presentations and reflections on urban space. ContributorsMichael Asher, Sandy Ballatore, Benjamin H. D. Buchloh, Jennifer King, Miwon Kwon, Barbara Munger, Stephan Pascher, Birgit Pelzer, Anne Rorimer, Allan Sekula
About the Author
Jennifer King is Associate Curator at the Los Angeles County Museum of Art.
About the Author
Sarah Lazarovic is a writer, illustrator, and artist based in Toronto. She is the founding editor of the popular website torontoist.com.
About the Author
Sachiko Umoto, born in 1970, graduated with a degree in oil painting from Tama Art University (Tokyo). In addition to her work as an illustrator, she also produces animation works for Usagi-Ou Inc. She is the author of An Introduction to Making Illustrations with One Pencil Workbook and An Introduction to Sketching with One Pencil Workbook (both published by MDN Corporation). She dearly loves dogs and Hawaii. Visit her online at http: //umotosachiko.com.