Language : English
Published : 2018
Pages : 302
Implementing Occupation-centred Practice : A Practical Guide for Occupational Therapy Practice Learning
This practical text supports occupational therapy students and educators as they navigate the opportunities and challenges of practice learning. Reflecting contemporary and innovative occupation-centred practice, it sets out a step-by-step guide to using this knowledge across a range of settings. The clear structure, templates, examples and strategies it presents demonstrate how contemporary theory can be used to inform and guide practice. Implementing Occupation-centred Practiceis an essential resource for occupational therapy students during their placement preparation and throughout their placement. It also serves as a tool for practice educators who are looking for assistance in structuring learning for their students.
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Do you experience stress? Are you interested in better health and well-being? Do you pursue happiness? If you answered yes to any of these questions, you need to read this book. If you answered no, you’re in denial. All of us can use a little help to become happier or healthier. Unfortunately, the help we get is often too scary: “if you don’t do this or that, some catastrophic event of epic proportions will happen.” Prilleltensky’s approach, in contrast, is to help you become healthier and happier through laughter. In this hilarious book, Prilleltensky combines humor with science to help you improve your well-being. Each chapter consists of the Laughing Side, a series of funny stories; and the Learning Side, a research-based, user-friendly guide to health and happiness. The first chapter provides an overview of well-being, while subsequent chapters cover each of its six domains: Interpersonal, Community, Occupational, Physical, Psychological, and Economic (I COPPE). When you finish the book you’ll have a greater understanding of your life, and ways to make it better.
About the Author
Dr. Isaac Prilleltensky, an award winning community psychologist and humor writer, is Dean of the School of Education and Human Development at the University of Miami.
Oscar Wilde once wrote, ‘Fashion is a form of ugliness so absolutely unbearable that we have to alter it every six months.’ And yet it serves to make us beautiful, or at least make us feel beautiful. In Dress Code Mari Grinde Arntzen asks how and why this is – how we can be enthralled by the fashion world, and at the same time appalled by the politics and practices of the garment industry? This book questions why we h ave such a love-hate relation ship with fashion. Guiding us through the major figures and brands of today’s fashion system, Dress Code shows how they shape us and in turn why we love to be shaped by them. The book focuses on everyday, affordable ‘fast fashion’ brands as well as the luxury market, to show how both ends of the fashion industry exert a powerful force over our lives. It also discusses trend forecasters, the media and the pressures on consumers, arguing that the world of fashion is both a dictatorship and a democracy, directing our shopping habits as well as our appearance.This study explores what happens when we get dressed: why fashion can make us feel powerful, beautiful and original, yet also paradoxically works oppressively, forcing consumers to conform. This book peels off the layers of the world’s fifth largest industry, garment by garment, to reveal fashion as a phenomenon, a business and an art. Grinde Arntzen is disturbed by its influence yet sympathetic to our desire – however ambivalent – to be stylish, smart or trendy. Dress Code is both a succinct and thought-provoking look at how the culture of dress dominates everyday life, and a lively and honest account of the pleasures and problems of fashion.
About the Author
Mari Grinde Arntzen is a journalist who writes for Aftenposten and Dagens Naeringsliv and teaches at the School of Fashion Industry in Oslo.
The American Society for Aesthetic Plastic Surgery estimates there are about two-and-a-half million Botox procedures performed annually, and that number continues to increase. The procedure is used as a preventive measure against aging and a means by which bodies, particularly women s, can be transformed and improved through the appearance of youth. But why is Botox so popular, and why is aging such a terrifying concept? Botox Nation draws from engaging, in-depth interviews with Botox users and providers as well as Dana Berkowitz s own experiences receiving the injections. The interviews reveal the personal motivations for using Botox and help unpack how anti-aging practices are conceived by, and resonate with, everyday people. Berkowitz is particularly interested in how Botox is now being targeted to younger women; since Botox is a procedure that must be continually administered to work, the strategic choice to market to younger women, Berkowitz argues, aims to create lifetime consumers.Berkowitz also analyzes magazine articles, advertisements, and even medical documents to consider how narratives of aging are depicted. She employs a critical feminist lens to consider the construction of feminine bodies and selves, and explores the impact of cosmetic medical interventions aimed at maintaining the desired appearance of youth, the culture of preventative medicine, the application of medical procedures to seemingly healthy bodies, and the growth and technological advancement to the anti-aging industry. The first in-depth social investigation into the development of Botox as a phenomenon, Botox Nation is a captivating and critical story of how norms about bodies, gender, and aging are constructed and reproduced on both cultural and individual levels.”