Language : English
Published : 1978-05-01
Pages : 156
Imaginary conversations between Marco Polo and his host, the Chinese ruler Kublai Khan, conjure up cities of magical times. “Of all tasks, describing the contents of a book is the most difficult and in the case of a marvelous invention like Invisible Cities, perfectly irrelevant” (Gore Vidal). Translated by William Weaver. A Helen and Kurt Wolff Book.
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The Divine Comedy, translated by Allen Mandelbaum, begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity.
Mandelbaum’s astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets.
This Everyman’s edition–containing in one volume all three cantos, Inferno, Purgatorio, and Paradiso–includes an introduction by Nobel Prize—winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli’s marvelous late-fifteenth-century series of illustrations.
With 5,000 years of history, India is a culture united by diversity. Her literary traditions reflect her glory and heritage. Today, great works like Ramayana, Mahabharata and Jataka Tales echo throughout the world, having been portrayed in diverse art forms.
Writings of the Indian subcontinent can be found in no less than 17 languages, and the scope of Indian literature is too vast to cover in its entirety. Nonetheless, we hope to provide in this volume a glimpse into Indian’s ancient, pre-medieval and post-medieval literature.
Gateway to Indian Classical Literature features the most famous poets and writers who not only influenced the masses but founded entirely new schools of thought. Each section introduces the seminal works of each era, and addresses its influence on contemporary literature. Through these pages, you will be transported into the world of deities and demons, light and darkness, and India’s greatest aspirations and thoughts.
The splendour and richness of Chinese classical literature encompasses a dazzling range, from poetry, rhymed prose and eaasy to drama and novels, with outstanding representative works in each genre.
Despite the passage of time, these works remain fresh and relevant today. The immortals lines from Li Bai’s ‘Reflections on a Quiet Night’, “Raising my head, I look at the bright moon; Hanging my head, I think of home,” continue to strike a chord in the heart of many a traveller far from home, while the tragedy in The Dream of the Red Chamber is still able to move us deeply.
Using illustrations and lucid exposition of the various styles of classical Chinese literature, this book takes the reader on a tour of the Chinese literary world and provides a valuable insight into the Chinese civilisation.
Anthony C. Yu’s translation of The Journey to the West,initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey to the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China’s most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures. Throughout his journey, Xuanzang fights demons who wish to eat him, communes with spirits, and traverses a land riddled with a multitude of obstacles, both real and fantastical. An adventure rich with danger and excitement, this seminal work of the Chinese literary canonis by turns allegory, satire, and fantasy.
With over a hundred chapters written in both prose and poetry, The Journey to the West has always been a complicated and difficult text to render in English while preserving the lyricism of its language and the content of its plot. But Yu has successfully taken on the task, and in this new edition he has made his translations even more accurate and accessible. The explanatory notes are updated and augmented, and Yu has added new material to his introduction, based on his original research as well as on the newest literary criticism and scholarship on Chinese religious traditions. He has also modernized the transliterations included in each volume, using the now-standard Hanyu Pinyin romanization system. Perhaps most important, Yu has made changes to the translation itself in order to make it as precise as possible.
One of the great works of Chinese literature, The Journey to the West is not only invaluable to scholars of Eastern religion and literature, but, in Yu’s elegant rendering, also a delight for any reader.