Language : English
Published : 2001-02-01
Pages : 64
Song of Myself
It was with this inspired, oceanic medley, “Song of Myself” (which in the first editions of “Leaves of Grass” was still nameless), that Walt Whitman first made himself known to the world. Readers will find this first version of “Song of Myself” new, surprising, and often superior to the later versions and exhilarating in the freshness of its vision.
About the Author
One of America’s most influential and innovative poets, Walt Whitman (1819-92) worked as a teacher, journalist, and volunteer nurse during the Civil War. Proclaimed as the nation’s first “poet of democracy,” Whitman reached out to common readers and opposed censorship with his overt celebrations of sexuality
A landmark new translation of the sacred text of Islam? in an elegant deluxe edition
Literally ?the recitation,? The Qur?an is considered within the Muslim faith to be the infallible word of God. Tarif Khalidi, the foremost scholar of Islamic history and faith, provides a fresh English translation that captures the startling, exquisite poetry of one of the world?s most beloved religious texts. Retaining the structure and rhythms of the original Arabic, Khalidi enlivens the ancient teachings and prophetic narratives central to the Muslim faith and solidifies The Qur?an as a work of spiritual authority and breathtaking beauty.
The third edition of The Oxford Companion to Classical Literature is the complete and authoritative reference guide to the classical world and its literary heritage. It not only presents the reader with all the essential facts about the authors, tales, and characters from ancient myths and literature, but it also places these details in the wider contexts of the history and society of the Greek and Roman worlds. With an extensive web of cross-references and a useful chronological table and location maps (all of which have been brought fully up to date), this volume traces the development of literary forms and the classical allusions which have become embedded in our Western culture. Extensively revised and updated, the Companion includes more thematic entries – medicine, friendship, science, the concept of freedom, and sexuality. These topical entries provide an excellent starting point to the exploration of their subjects in classical literature. The Companion contains extensive biographies of classical literary figures from Aeschylus to Zeno; entries on a multitude of literary styles from biography and rhetoric to lyric poetry and epic, and character entries and plot summaries for the major figures and myths in the classical canon. It is the ideal guide for students in Classics, and for all who are passionate about the vast and varied literary tradition bequeathed to us from the classical world.
The Time Machine is a novella by H. G. Wells, first published in 1895 and later directly adapted into at least two feature films of the same name, as well as two television versions, and a large number of comic book adaptations. It indirectly inspired many more works of fiction in all media. This 38,000 word novella is generally credited with the popularization of the concept of time travel using a vehicle that allows an operator to travel purposefully and selectively. The term “time machine”, coined by Wells, is now universally used to refer to such a vehicle. Wells introduces an early example of the Dying Earth subgenre as well.
This Norton Critical Edition includes twenty-eight tales from The Arabian Nights translated by Husain Haddawy on the basis of the oldest existing Arabic manuscript.
Few works of literature are as familiar and beloved as The Arabian Nights. Yet few remain also as unknown. In English, The Arabian Nights is a literary work of relatively recent date—the first versions of the tales appeared in English barely two hundred years ago. The tales are accompanied by a preface, a note on the text, and explanatory annotations.
“Contexts” presents three of the oldest witnesses to The Arabian Nights in the Arabic tradition, together in English for the first time: an anonymous ninth-century fragment, Al Mas‘udi’s Muruj al-Dhahab, and Ibn al-Nadim’s The Fihrist. Also included are three related works by the nineteenth- and twentieth-century writers Edgar Allan Poe, Marcel Proust, and Taha Husayn.
“Criticism” collects eleven wide-ranging essays on The Arabian Nights’ central themes by Hugo von Hofmannsthal, Josef Horovitz, Jorge Luis Borges, Francesco Gabrieli, Mia Irene Gerhardt, Tzvetan Todorov, Andras Hamori, Heinz Grotzfield, Jerome W. Clinton, Abdelfattah Kilito, and David Pinault.
A Chronology of The Arabian Nights and a Selected Bibliography are also included.