Language : English
Published : 1990-07-26
Pages : 192
The Autobiography of an Ex-Colored Man
Originally published in 1912, this novel was one of the first to present a frank picture of being black in America Masked in the tradition of the literary confession practiced by such writers as St. Augustine and Rousseau, this “autobiography” purports to be a candid account of its narrator’s private views and feelings as well as an acknowledgement of the central secret of his life: that though he lives as a white man, he is, by heritage and experience, an African-American. Written by the first black executive secretary of the NAACP, The Autobiography of an Ex-Colored Man, in its depiction of turn-of-the-century New York, anticipates the social realism of the Harlem Renaissance writers. In its unprecedented analysis of the social causes of a black man’s denial of the best within himself, it is perhaps James Weldon Johnson’s greatest service to his race. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. ”
About the Author
James Weldon Johnson was born in Jacksonville, Florida, in 1871. Among the first to break through the barriers segregating his race, he was educated at Atlanta University and at Columbia and was the first black admitted to the Florida bar. He was also, for a time, a songwriter in New York, American consul in Venezuela and Nicaragua, executive secretary of the NAACP, and professor of creative literature at Fisk University experiences recorded in his autobiography, Along This Way. Other books by him include Saint Peter Relates an Incident, Black Manhattan, and God’s Trombones: Seven Negro Sermons in Verse. In addition to his own writing, Johnson was the editor of pioneering anthologies of black American poetry and spirituals. He died in 1938. William L. Andrews is E. Maynard Adams Professor of English at the University of North Carolina at Chapel Hill. He is the author of To Tell a Free Story and editor or coeditor of more than thirty books on African American literature.”
This short study of the life of the Blessed Prophet of Islam ( ) for high school and above is neither a new historical analysis nor yet another purely devotional sketch of the earthly career of God’s last prophet. Written by Islam ‘s best ambassador in the West, this biography of the Prophet ( ) takes the spiritual dimensions into consideration as well as the more factual and historical elements of the life of the person who changed human history.
In this volume, CHINESE LITERATURE, you will meet great minds among the Chinese literates. Since reading is a form pf pleasure that has been enjoyed for thousands of years, literature gives us the opportunity to meet great writers in Chinese history who have distilled their thoughts on life and society. This book will trace the development of literature from the pre-Qin Dynasty era to the last monarchic regime, the Qing Dynasty.
This Norton Critical Edition includes twenty-eight tales from The Arabian Nights translated by Husain Haddawy on the basis of the oldest existing Arabic manuscript.
Few works of literature are as familiar and beloved as The Arabian Nights. Yet few remain also as unknown. In English, The Arabian Nights is a literary work of relatively recent date—the first versions of the tales appeared in English barely two hundred years ago. The tales are accompanied by a preface, a note on the text, and explanatory annotations.
“Contexts” presents three of the oldest witnesses to The Arabian Nights in the Arabic tradition, together in English for the first time: an anonymous ninth-century fragment, Al Mas‘udi’s Muruj al-Dhahab, and Ibn al-Nadim’s The Fihrist. Also included are three related works by the nineteenth- and twentieth-century writers Edgar Allan Poe, Marcel Proust, and Taha Husayn.
“Criticism” collects eleven wide-ranging essays on The Arabian Nights’ central themes by Hugo von Hofmannsthal, Josef Horovitz, Jorge Luis Borges, Francesco Gabrieli, Mia Irene Gerhardt, Tzvetan Todorov, Andras Hamori, Heinz Grotzfield, Jerome W. Clinton, Abdelfattah Kilito, and David Pinault.
A Chronology of The Arabian Nights and a Selected Bibliography are also included.
A sweeping tale of abduction, battle, and courtship played out in a universe of deities and demons, The Ramayana is familiar to virtually every Indian. Although the Sanskrit original was composed by Valmiki around the fourth century BC, poets have produced countless versions in different languages. Here, drawing on the work of an eleventh-century poet called Kamban, Narayan employs the skills of a master novelist to re-create the excitement he found in the original. A luminous saga made accessible to new generations of readers, The Ramayana can be enjoyed for its spiritual wisdom, or as a thrilling tale of ancient conflict.