The Invention of Solitude
In this debut work by New York Times-bestselling author Paul Auster (The New York Trilogy), The Invention of Solitude, a memoir, established Auster s reputation as a major new voice in American writing. His moving and personal meditation on fatherhood is split into two stylistically separate sections. In the first, Auster reflects on the memories of his father who was a distant, undemonstrative, and cold man who died an untimely death. As he sifts through his Father s things, Auster uncovers a sixty-year-old murder mystery that sheds light on his father s elusive character. In the second section, the perspective shifts and Auster begins to reflect on his own identity as a father by adopting the voice of a narrator, A. Through a mosaic of images, coincidences, and associations A, contemplates his separation from his son, his dying grandfather, turning the story into a self-conscious reflection on the process of writing.”
About the Author
Paul Auster is the bestselling author ofThe New York Trilogyand many other critically acclaimed novels. He was awarded the Prince of Asturias Prize in 2006. His work has been translated into more than forty languages. He lives in Brooklyn, New York.”
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The third edition of The Oxford Companion to Classical Literature is the complete and authoritative reference guide to the classical world and its literary heritage. It not only presents the reader with all the essential facts about the authors, tales, and characters from ancient myths and literature, but it also places these details in the wider contexts of the history and society of the Greek and Roman worlds. With an extensive web of cross-references and a useful chronological table and location maps (all of which have been brought fully up to date), this volume traces the development of literary forms and the classical allusions which have become embedded in our Western culture. Extensively revised and updated, the Companion includes more thematic entries – medicine, friendship, science, the concept of freedom, and sexuality. These topical entries provide an excellent starting point to the exploration of their subjects in classical literature. The Companion contains extensive biographies of classical literary figures from Aeschylus to Zeno; entries on a multitude of literary styles from biography and rhetoric to lyric poetry and epic, and character entries and plot summaries for the major figures and myths in the classical canon. It is the ideal guide for students in Classics, and for all who are passionate about the vast and varied literary tradition bequeathed to us from the classical world.
The Divine Comedy, translated by Allen Mandelbaum, begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity.
Mandelbaum’s astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets.
This Everyman’s edition–containing in one volume all three cantos, Inferno, Purgatorio, and Paradiso–includes an introduction by Nobel Prize—winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli’s marvelous late-fifteenth-century series of illustrations.
From #1 “New York Times” bestselling author Nora Roberts comes a trilogy about the land we’re drawn to, the family we learn to cherish, and the people we long to love… Book Three of The Cousins O’Dwyer Trilogy”Blood Magick” County Mayo is rich in the traditions of Ireland, legends that Branna O’Dwyer fully embraces in her life and in her work as the proprietor of The Dark Witch shop, which carries soaps, lotions, and candles for tourists, made with Branna’s special touch. Branna’s strength and selflessness hold together a close circle of friends and family–along with their horses and hawks and her beloved hound. But there’s a single missing link in the chain of her life: love… She had it once–for a moment–with Finbar Burke, but a shared future is forbidden by history and blood. Which is why Fin has spent his life traveling the world to fill the abyss left in him by Branna, focusing on work rather than passion. Branna and Fin’s relationship offers them both comfort and torment. And though they succumb to the heat between them, there can be no promises for tomorrow. A storm of shadows threatens everything that their circle holds dear. It will be Fin’s power, loyalty, and heart that will make all the difference in an age-old battle between the bonds that hold their friends together and the evil that has haunted their families for centuries. Don’t miss the first two books in the Cousins O’Dwyer Trilogy”Dark Witch” and”Shadow Spell”
David Hintons compelling new translation of Chuang Tzus Inner Chapters makes these ancient texts from the Golden Age of Chinese philosophy accessible to contemporary readers. Standing alongside the Tao Te Ching as a founding text in the Taoist tradition, Chuang Tzu is highly readablewith a wild menagerie of characters and passages full of witty and engaging anecdotes. Revered for millennia in the Chinese spiritual tradition, Chuang Tzu stands alongside the Tao Te Ching as a founding classic of Taoism. The Inner Chapters is the only sustained section of this text widely believed to be the work of Chuang Tzu himself, dating to the fourth century B.C. Witty and engaging, spiced with the lyricism of poetry, Chuang Tzus Taoist insights are timely and eternal, profoundly concerned with spiritual ecology. Indeed, the Tao of Chuang Tzu was a wholesale rejection of a human-centered approach. Zen traces its sources back to these Taoist roots–roots at least as deep as those provided by Buddhism. But this is an ancient text that yields a surprisingly modern effect. In bold and startling prose, David Hintons translation captures the zany texture and philosophical abandon of the original. The Inner Chapterss fantastical passages–in which even birds and trees teach us what they know–offer up a wild menagerie of characters, freewheeling play with language, and surreal humor. And interwoven with Chuang Tzus sharp instruction on the Tao are short-short stories that are often rough and ribald, rich with satire and paradox.On their deepest level, The Inner Chapters are a meditation on the mysteries of knowledge itself. Chuang Tzus propositions, the translators introduction reminds us, seem to be in constant transformation, for he deploys words and concepts only to free us of words and concepts. Hintons vital new translation makes this ancient text from the golden age of Chinese philosophy accessible to contemporary readers.