The Tempest (Dover Thrift Editions)
The bard’s final play, containing his mature reflections on life, concerns Prospero, a philosophical old magician, and Miranda, his lovely daughter, who dwell in peaceful isolation on an enchanted island. When a shipwreck brings old enemies to shore, the stage is set for a masterly drama of comedy, romance, and reconciliation.
About the Author
“He was not of an age, but for all time,” declared Ben Jonson of his contemporary William Shakespeare (1564 1616). Jonson’s praise is especially prescient, since at the turn of the 17th century Shakespeare was but one of many popular London playwrights and none of his dramas were printed in his lifetime. The reason so many of his works survive is because two of his actor friends, with the assistance of Jonson, assembled and published the First Folio edition of 1623.”
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The splendour and richness of Chinese classical literature encompasses a dazzling range, from poetry, rhymed prose and eaasy to drama and novels, with outstanding representative works in each genre.
Despite the passage of time, these works remain fresh and relevant today. The immortals lines from Li Bai’s ‘Reflections on a Quiet Night’, “Raising my head, I look at the bright moon; Hanging my head, I think of home,” continue to strike a chord in the heart of many a traveller far from home, while the tragedy in The Dream of the Red Chamber is still able to move us deeply.
Using illustrations and lucid exposition of the various styles of classical Chinese literature, this book takes the reader on a tour of the Chinese literary world and provides a valuable insight into the Chinese civilisation.
“To quietly persevere in storing up what is learned, to continue studying without respite, to instruct others without growing weary–is this not me?”
Confucius is recognized as China’s first and greatest teacher, and his ideas have been the fertile soil in which the Chinese cultural tradition has flourished. Now, here is a translation of the recorded thoughts and deeds that best remember Confucius–informed for the first time by the manuscript version found at Dingzhou in 1973, a partial text dating to 55 BCE and only made available to the scholarly world in 1997. The earliest Analects yet discovered, this work provides us with a new perspective on the central canonical text that has defined Chinese culture–and clearly illuminates the spirit and values of Confucius.
Confucius (551-479 BCE) was born in the ancient state of Lu into an era of unrelenting, escalating violence as seven of the strongest states in the proto-Chinese world warred for supremacy. The landscape was not only fierce politically but also intellectually. Although Confucius enjoyed great popularity as a teacher, and many of his students found their way into political office, he personally had little influence in Lu. And so he began to travel from state to state as an itinerant philosopher to persuade political leaders that his teachings were a formula for social and political success. Eventually, his philosophies came to dictate the standard of behavior for all of society–including the emperor himself.
Based on the latest research and complete with both Chinese and English texts, this revealing translation serves both as an excellent introduction to Confucian thought and as an authoritative addition to sophisticated debate.
The Divine Comedy, translated by Allen Mandelbaum, begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity.
Mandelbaum’s astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets.
This Everyman’s edition–containing in one volume all three cantos, Inferno, Purgatorio, and Paradiso–includes an introduction by Nobel Prize—winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli’s marvelous late-fifteenth-century series of illustrations.
Shakespeare’s valedictory play is also one of his most poetical and magical. The story involves the spirit Ariel, the savage Caliban, and Prospero, the banished Duke of Milan, now a wizard living on a remote island who uses his magic to shipwreck a party of ex-compatriots.