Language : English
Published : 2009-09-25
Pages : 200
The Third Policeman
The Third Policeman is Flann O’Brien’s brilliantly dark comic novel about the nature of time, death, and existence. Told by a narrator who has committed a botched robbery and brutal murder, the novel follows him and his adventures in a two-dimensional police station where, through the theories of the scientist/philosopher de Selby, he is introduced to “Atomic Theory” and its relation to bicycles, the existence of eternity (which turns out to be just down the road), and de Selby’s view that the earth is not round but “sausage-shaped.” With the help of his newly found soul named “Joe,” he grapples with the riddles and contradictions that three eccentric policeman present to him.The last of O’Brien’s novels to be published, The Third Policeman joins O’Brien’s other fiction ( At Swim-Two-Birds, The Poor Mouth, The Hard Life, The Best of Myles, and The Dalkey Archive) to ensure his place, along with James Joyce and Samuel Beckett, as one of Ireland’s great comic geniuses.
This Norton Critical Edition includes twenty-eight tales from The Arabian Nights translated by Husain Haddawy on the basis of the oldest existing Arabic manuscript.
Few works of literature are as familiar and beloved as The Arabian Nights. Yet few remain also as unknown. In English, The Arabian Nights is a literary work of relatively recent date—the first versions of the tales appeared in English barely two hundred years ago. The tales are accompanied by a preface, a note on the text, and explanatory annotations.
“Contexts” presents three of the oldest witnesses to The Arabian Nights in the Arabic tradition, together in English for the first time: an anonymous ninth-century fragment, Al Mas‘udi’s Muruj al-Dhahab, and Ibn al-Nadim’s The Fihrist. Also included are three related works by the nineteenth- and twentieth-century writers Edgar Allan Poe, Marcel Proust, and Taha Husayn.
“Criticism” collects eleven wide-ranging essays on The Arabian Nights’ central themes by Hugo von Hofmannsthal, Josef Horovitz, Jorge Luis Borges, Francesco Gabrieli, Mia Irene Gerhardt, Tzvetan Todorov, Andras Hamori, Heinz Grotzfield, Jerome W. Clinton, Abdelfattah Kilito, and David Pinault.
A Chronology of The Arabian Nights and a Selected Bibliography are also included.
The Time Machine is a novella by H. G. Wells, first published in 1895 and later directly adapted into at least two feature films of the same name, as well as two television versions, and a large number of comic book adaptations. It indirectly inspired many more works of fiction in all media. This 38,000 word novella is generally credited with the popularization of the concept of time travel using a vehicle that allows an operator to travel purposefully and selectively. The term “time machine”, coined by Wells, is now universally used to refer to such a vehicle. Wells introduces an early example of the Dying Earth subgenre as well.
This short study of the life of the Blessed Prophet of Islam ( ) for high school and above is neither a new historical analysis nor yet another purely devotional sketch of the earthly career of God’s last prophet. Written by Islam ‘s best ambassador in the West, this biography of the Prophet ( ) takes the spiritual dimensions into consideration as well as the more factual and historical elements of the life of the person who changed human history.
A family watches, horrified, as their patriarch transforms into the wise-cracking lead of an old-timey minstrel show. An art collector gleefully destroys his most valuable pieces. A young artist devotes himself to a wealthy, malicious gossip, knowing that it’s just a matter of time before she turns on him. In this new collection of short stories, Paul Theroux explores the tenuous leadership of the elite and the surprising revenge of the overlooked. He shows us humanity possessed, consumed by its own desires, always with his carefully honed eye and the subtle idiosyncrasies that bring his characters to life.