Language : English
Published : 2014
Pages : 283
This Is My Family: New Singapore Plays Volume 2
This anthology of acclaimed plays includes Faith Ng’s For Better or for Worse (nominated for Best Original Script in The Straits Times Life! Theatre Awards); Joel Tan’s Family Outing; and Recalling Mother by Claire Wong and Noorlinah Mohamed. It examines with care, intelligence, and honesty the joys and pains of family: the papered-over cracks of a twenty-year marriage; the enduring ties between a parent and a child; the forging of bonds between those not bound by blood.
This Norton Critical Edition includes twenty-eight tales from The Arabian Nights translated by Husain Haddawy on the basis of the oldest existing Arabic manuscript.
Few works of literature are as familiar and beloved as The Arabian Nights. Yet few remain also as unknown. In English, The Arabian Nights is a literary work of relatively recent date—the first versions of the tales appeared in English barely two hundred years ago. The tales are accompanied by a preface, a note on the text, and explanatory annotations.
“Contexts” presents three of the oldest witnesses to The Arabian Nights in the Arabic tradition, together in English for the first time: an anonymous ninth-century fragment, Al Mas‘udi’s Muruj al-Dhahab, and Ibn al-Nadim’s The Fihrist. Also included are three related works by the nineteenth- and twentieth-century writers Edgar Allan Poe, Marcel Proust, and Taha Husayn.
“Criticism” collects eleven wide-ranging essays on The Arabian Nights’ central themes by Hugo von Hofmannsthal, Josef Horovitz, Jorge Luis Borges, Francesco Gabrieli, Mia Irene Gerhardt, Tzvetan Todorov, Andras Hamori, Heinz Grotzfield, Jerome W. Clinton, Abdelfattah Kilito, and David Pinault.
A Chronology of The Arabian Nights and a Selected Bibliography are also included.
From #1 “New York Times” bestselling author Nora Roberts comes a trilogy about the land we’re drawn to, the family we learn to cherish, and the people we long to love… Book Three of The Cousins O’Dwyer Trilogy”Blood Magick” County Mayo is rich in the traditions of Ireland, legends that Branna O’Dwyer fully embraces in her life and in her work as the proprietor of The Dark Witch shop, which carries soaps, lotions, and candles for tourists, made with Branna’s special touch. Branna’s strength and selflessness hold together a close circle of friends and family–along with their horses and hawks and her beloved hound. But there’s a single missing link in the chain of her life: love… She had it once–for a moment–with Finbar Burke, but a shared future is forbidden by history and blood. Which is why Fin has spent his life traveling the world to fill the abyss left in him by Branna, focusing on work rather than passion. Branna and Fin’s relationship offers them both comfort and torment. And though they succumb to the heat between them, there can be no promises for tomorrow. A storm of shadows threatens everything that their circle holds dear. It will be Fin’s power, loyalty, and heart that will make all the difference in an age-old battle between the bonds that hold their friends together and the evil that has haunted their families for centuries. Don’t miss the first two books in the Cousins O’Dwyer Trilogy”Dark Witch” and”Shadow Spell”
The third edition of The Oxford Companion to Classical Literature is the complete and authoritative reference guide to the classical world and its literary heritage. It not only presents the reader with all the essential facts about the authors, tales, and characters from ancient myths and literature, but it also places these details in the wider contexts of the history and society of the Greek and Roman worlds. With an extensive web of cross-references and a useful chronological table and location maps (all of which have been brought fully up to date), this volume traces the development of literary forms and the classical allusions which have become embedded in our Western culture. Extensively revised and updated, the Companion includes more thematic entries – medicine, friendship, science, the concept of freedom, and sexuality. These topical entries provide an excellent starting point to the exploration of their subjects in classical literature. The Companion contains extensive biographies of classical literary figures from Aeschylus to Zeno; entries on a multitude of literary styles from biography and rhetoric to lyric poetry and epic, and character entries and plot summaries for the major figures and myths in the classical canon. It is the ideal guide for students in Classics, and for all who are passionate about the vast and varied literary tradition bequeathed to us from the classical world.
Each edition includes:
• Freshly edited text based on the best early printed version of the play
• Full explanatory notes conveniently placed on pages facing the text of the play
• Scene-by-scene plot summaries
• A key to famous lines and phrases
• An introduction to reading Shakespeare’s language
• An essay by an outstanding scholar providing a modern perspective on the play
• Illustrations from the Folger Shakespeare Library’s vast holdings of rare books
Essay by Susan Snyder
The Folger Shakespeare Library in Washington, D.C., is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu.
About the Author
William Shakespeare was born in April 1564 in the town of Stratford-upon-Avon, on England’s Avon River. When he was eighteen, he married Anne Hathaway. The couple had three children—their older daughter Susanna and the twins, Judith and Hamnet. Hamnet, Shakespeare’s only son, died in childhood. The bulk of Shakespeare’s working life was spent, not in Stratford, but in the theater world of London, where he established himself professionally by the early 1590s. He enjoyed success not only as a playwright, but as an actor and shareholder in an acting company. Sometime between 1610 and 1613, Shakespeare is thought to have retired from the stage and returned home to Stratford, where he died in 1616.