Language : English
Published : 2001-02-08
Pages : 688
Uncle Tom’s Cabin: or, Life Among the Lowly
Harriet Beecher Stowe’s stirring indictment of slavery and portrait of human dignity in the most inhumane circumstances. With an introduction by Jane Smiley
About the Author
Harriet Beecher Stowe, a prolific writer best remembered today for Uncle Tom’s Cabin, was born in Litchfield, Connecticut, on June 14, 1811, into a prominent New England family. Her father, Lyman Beecher, was a well-known Congregational minister, and her brother Henry Ward Beecher became a distinguished preacher, orator, and lecturer. Like all the Beechers she grew up with a strong sense of wanting to improve humanity. At the age of thirteen Harriet Beecher enrolled in the Hartford Female Seminary and subsequently taught there until 1832, when the family moved to Cincinnati. In Ohio she was an instructor at a school founded by her elder sister Catharine, and she soon began publishing short stories in the Western Monthly Magazine. Four years later, in 1836, Harriet Beecher married Calvin Stowe, a respected biblical scholar and theologian by whom she had seven children. In order to supplement the family’s meager income she continued writing. The Mayflower, her first collection of stories and sketches, appeared in 1843. During this period abolitionist conflicts rocked Cincinnati, and Mrs. Stowe witnessed firsthand the misery of slaves living just across the Ohio River in Kentucky. But not until the passage of the Fugitive Slave Act of 1850 was she inspired to write about their plight. After the family resettled in Brunswick, Maine, when Mr. Stowe was hired as a professor at Bowdoin College, she began working on a novel that would expose the evils of slavery. First serialized in the National Era, an abolitionist paper, in forty weekly installments between June 5, 1851, and April 1, 1852, and published as a book on March 20, 1852, Uncle Tom’s Cabin was an enormous success. Tolstoy deemed it a great work of literature ‘flowing from love of God and man, ‘ and within a year the book had sold more than 300,000 copies. When Uncle Tom’s Cabin appeared in Great Britain Queen Victoria sent Mrs. Stowe a note of gratitude, and enthusiastic crowds greeted the author in London on her first trip abroad in 1853. In an attempt to silence the many critics at home who denounced the work as vicious propaganda, Mrs. Stowe brought out A Key to Uncle Tom’s Cabin in 1853, which contained documentary evidence substantiating the graphic picture of slavery she had drawn. Dred (1856), a second antislavery novel, did not enjoy the acclaim of Uncle Tom’s Cabin, yet the author had already stirred the conscience of the nation and the world, fueling sentiments that would ignite the Civil War. When Abraham Lincoln met her at the White House in 1862 he allegedly remarked: ‘So you’re the little woman who wrote the book that started this great war!’ In subsequent novels Stowe shifted her attention away from the issue of slavery. Beginning with The Minister’s Wooing (1859), and continuing with The Pearl of Orr’s Island (1862), Oldtown Folks (1869), and Poganuc People (1878), she presented a perceptive and realistic chronicle of colonial New England, focusing especially on the theological warfare that underscored Puritan life. In a second and less popular series of novels My Wife and I (1871), Pink and White Tyranny (1871), and We and Our Neighbors (1875) she depicted the mores of post-Civil War America. Mrs. Stowe did enjoy success, however, with the controversial Lady Byron Vindicated (1870), a bold defense of her friend Anne, Lady Byron, that scandalously revealed Lord Byron’s moral delinquency. In addition she became a regular contributor to the Atlantic Monthly, which published many of the memorable short stories later collected in Oldtown Fireside Stories (1872) and Sam Lawson’s Oldtown Fireside Stories (1881). Harriet Beecher Stowe wrote little during the last years of her life. She died in Hartford, Connecticut, on July 1, 1896. Perhaps Mrs. Stowe’s achievement was best summed up by abolitionist Frederick Douglass who said: ‘Hers was the word for the hour.’ From the eBook edition.”
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The society of Singapore Writers is proud to present this momentous anthology of poems by Singapore’s very own literary talents. Given their diversity in age, background, experience and style, the poets have bought to their works a rich spectrum of flavours and a wide array of perspectives.
Anthony Burgess commented that “the poetry of Arthur Yap meets the highest anglophone standards”, and that “Edwin Thumboo himself is modern”. Indeed, a Singapore literature has evolved.
Previously known as Poets of Singapore, Tides of Memories and Other Singapore Poems comes with many original poems by modern, forward-looking new entrants like Kang Bee Hua that raise current concerns and illuminate with their fresh perspectives. As Singapore prospers, we hope every member of this global city for the arts will respond magnanimously to our local poets.
The splendour and richness of Chinese classical literature encompasses a dazzling range, from poetry, rhymed prose and eaasy to drama and novels, with outstanding representative works in each genre.
Despite the passage of time, these works remain fresh and relevant today. The immortals lines from Li Bai’s ‘Reflections on a Quiet Night’, “Raising my head, I look at the bright moon; Hanging my head, I think of home,” continue to strike a chord in the heart of many a traveller far from home, while the tragedy in The Dream of the Red Chamber is still able to move us deeply.
Using illustrations and lucid exposition of the various styles of classical Chinese literature, this book takes the reader on a tour of the Chinese literary world and provides a valuable insight into the Chinese civilisation.
“The Story of the Stone” (c. 1760) is one of the greatest novels of Chinese literature. The first part of the story, The Golden Days, begins the tale of Bao-yu, a gentle young boy who prefers girls to Confucian studies, and his two cousins: Bao-chai, his parents’ choice of a wife for him, and the ethereal beauty Dai-yu. Through the changing fortunes of the Jia family, this rich, magical work sets worldly events – love affairs, sibling rivalries, political intrigues, even murder – within the context of the Buddhist understanding that earthly existence is an illusion and karma determines the shape of our lives.
Used in a variety of courses in various disciplines, Asking the Right Questions helps students bridge the gap between simply memorizing or blindly accepting information, and the greater challenge of critical analysis and synthesis. Specifically, this concise text teaches students to think critically by exploring the components of arguments–issues, conclusions, reasons, evidence, assumptions, language–and on how to spot fallacies and manipulations and obstacles to critical thinking in both written and visual communication. It teaches them to respond to alternative points of view and develop a solid foundation for making personal choices about what to accept and what to reject.